SOUNDTIPS → [Jus like music records] JESSE FUTUREMAN- Hidden Basement

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Hidden Basement is a collection of unreleased tracks, b-sides and remixes.
Some of it was at one point going to be another EP, but now all of the material has been gathered together to represent sounds both during and after Jesse Futerman’s ‘Basement’ series of EPs for Jus Like Music Records.
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A very fitting, and sonically fulfilling conclusion to the series.
This release showcases a number of Jesse’s different styles, including some more uptempo house-style tracks, while some of it will definitely resonate with those familiar with the three previous EPs.In Jesse’s own words, “Many of these tracks were made after my third EP (Exquisite Basement), around the time I started toying with house music more and more. ……………………

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Deebs helped me on one of the tracks (Lonely Soul), he had come over quite a few times to work on it and I was very happy with the result.

Ryan (Hemsworth) enjoyed a beat I was working on called Santiago and requested the stems – the result is the remix on this release.

I’d been a long-time fan of kidkanevil and I freaked out when he remixed my track (A Good Man Is Gone) – been listening to him for many years.”

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credits

released 22 April 2014
Label: Jus Like Music Records
Cat No.: JLMDE013www.juslikemusicrecords.com

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[LISTEN&DOWNLOAD]

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SOUNDTIPS → [pertin_nce 033] BLUEPULP – Blue grey green and Pink

PERTIN_NCE from CANADA

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Blue, Grey, Green and Pink, is Quebec producer Maxime Tanguay’s
latest exercise under his Bleupulp moniker and certainly,
his strongest effort to date. Marked with a heavy rhythmic signature,
sneaky ambiance and deeply interwoven harmonics,
the six track EP makes a strong case for a fusion of minimal,
dub-techno and experimentalism – an emerging trademark sound
of the Pertin-Nce netlabel.

Casual listeners and Djs will certainly have their choice
of any of these tracks to linger upon for setting an evocative
nighttime mood. (by Jenifer Clemente)

cover art by Yanni Ehm

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ABOUT PERTIN_NCE NETLABEL_
Created by Quebec City producer Maxime Tanguay in 2005, Pertin-nce has been one of those nearly hidden netlabel treasures that has consistantly churned out a unique spectrum of offbeat electronica for the sheer pleasure of creation — patiently and steadfastly holding to an ethic of playful experimentation and open collaboration amidst an ever expanding and evolving digital music…
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credits

released 16 June 2010

SOUNDTIPS → [svaha sound netlabel] AAVV – The Eastern rising

SVAHA SOUND NETLABEL from CANADA/UK

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svaha

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Svaha Sound brings you The Eastern Rising.
An album of eastern influenced dub. Featuring Vibronics, Kanka, early W~Rm, Jah Billah, Fleck, NickyNutz, Injham, Uptown Rebels, Karma Dub and the biggest upcoming producers from across the planet! All mastered by Don Fe.
So just load it up, crank it up and skank it up inna zen style!
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credits

released 02 November 2013
Mastering: Don Fe

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SOUNDTIPS → [​KALPA – I’d Stay Here (Infinite Machine)]

INFINITE MACHINE from MONTREAL

KALPA from EXETER

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17-yo Exeter wunderkind Felix Dobson’s Infinite Machine debut is quite something. At first listen, Kalpa’s sound is a resolutely cohesive melting pot of everything that’s exciting in UK bass music today. With each and every subsequent listen, it just gets better. On top of a foundation of uptempo, energetic UKG with Top 40 production values, Dobson overlays vocal hooks that could rival Disclosure’s best moments, playfully exuberant basslines that, at times, flirt with acid proclivities, and heavyweight house vibes. Saving the best for last, the finale erupts into a four-to-the-floor, foot-stomping drop, laden with some of the coolest synthwork you’ll hear this year.
The most alluring features, however, are the the inventiveness and the ear for detail displayed in the breakneck, ever-surprising arrangement of “I’d Stay Here”. We’d all benefit from staying where Kalpa feels like staying, if his uncannily-veteran productions are anything to go by. “Le Rêve”, faithful to its title, relaxes the tempo and keeps it dreamy. A Dynamic-esque spacing and flavor pervades throughout, with Felix riding a beach-friendly, jazz-laden, ratchety tech-house beat before rupturing into raspy synthwork at the 2:39 mark, à la Kenton Slash Demon, Headz Up, Justin Martin, and the like.
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:::::::::::::::::::::: On the virtual flipside, IM hardliner Liar has fun with his “resax” remix – sax riffs reminiscent of dirtybird’s more jocular, fun-loving moments are interspersed amongst cautiously-eurodance moments, nestled in a diva house shell and wrought upon a plummeting bassline and driving beat wrangled from choice snippets from the original. Consequently, Infinite Machine is proud to (albeit belatedly) present its flagship summer jam.
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credits

released 14 October 2013
Artwork by Borealis
Mastered by Liar
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SOUNDTIPS: → [7TH-SON-/-СтEфION – Turn against]

7TH-SON-/-СтEфION from CALGARY

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been producing as the 7th Son since 2009, and Recently go under the new alias, Стефion:
I Released all of my material for free, and Will be giving out CD Copes of Mold Broken/ Стефion Ep together.
I am in the beginning process of new material that will be in the direction of Tribal and Psychedelic hallucinations.
Prepare to hear some more tunes asap. |
BLESS I Стефion |

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